Jurassic World will bring a lot of people back to their childhood. Boasting the same soundtrack and the same creepy hiding from the dino’s (though not as suspenseful), it made me feel like that 13 year old again. Unfortunately while dazzling visually, the movie is ultimately more about the dinosaurs and fairly light on plot. Let’s not kid ourselves, that’s why you’d go see it anyway.

Don’t get me wrong, I enjoyed this movie. Fairly predictable from the get-go, that doesn’t stop it from being an epic tale worthy of “summer blockbuster” status. But in the end, though the CGI has gotten better, for me it isn’t going to go down as memorable as the first all those years ago. It picks up 20 years after the events of the first film (I’m not sure if it ignores the first 2 sequels or not, doesn’t clearly say). Jurassic Park has become Jurassic World, a full fledged amusement park that has forgotten its gory beginnings. However, with sagging attendance (“kids now look at a dinosaur the same way they look at an elephant”), the powers that be decide to genetically grow a new super dinosaur that will put butts in the seats. Of course this new terror gets out, and havoc ensues. Starring Chris Pratt, who is on a roll and is his usual likable character again, the park workers try to at first contain the problem, before ultimately realizing there’s not much they can do.

It is edge-of-your-seat thrills for most of the film, and for fans there are lots of easter eggs to bring you back to the first film. I’m sure it will make a ton of money and you will leave happy for 2 hours of nostalgia, but I wasn’t entirely satisfied with the outcome.

This film is a wild ride from the opening sequence until the final scene. I know the original trilogy has a big following, but honestly I thought they were just ok when I saw them years ago. Maybe I’ll give them another chance. But the newest incarnation is incredible.

Max is in a post-apocalyptic world, haunted by the demons of his dead family. This new film shows more clearly his half-insane nature, more than I remember from the earlier films. He is captured by a crazed cult-like group that run a city, the Citadel. Their leader runs the city by his control of one of the only clean water sources for miles. The film is centered around Furioso’s (Charlize Theron’s) abduction of the leader’s brothel, and attempt to get them to safety. Max ends up with this motley crew, and together they try to evade and fight off pursuit.

Most of the film is the various car chases, with explosions aplenty. The people in this world are all right on the edge of insanity (or slightly over if you want to look at it that way), and the cult members are more than willing to sacrifice themselves to take out Max and Furioso, for the promise of Valhalla for those that die for the cause. Parts of the film are a little silly, and many parts are way over the top, but rather than make the movie outlandish, it just adds to the feelings of despair and madness that these people live in. It is a wild, edge-of-your-seat rush that will not disappoint action film lovers.

Ex Machina is a great, subtle film that is both thought-provoking and quietly tense, from nearly the opening sequence. I tried to describe it to a friend and everything I said made it sound like a bad B movie, so I’ll try to do a better job here.

Caleb (played by the likable Domhnall Gleeson) is a computer programmer for a big Google-like search engine company. He finds himself meeting up with the genius founder of said company, Nathan (Oscar Isaac), for a secret week-long experiment. It turns out he is there to perform a Turing Test on Nathan’s invention, a woman cyborg with supposed artificial intelligence, named Ava (Alicia Vikander). Caleb spends a couple hours each day asking Ava questions, usually in a small-talk kind of way, to see if she is actually formulating responses on her own, or just as a result of programming by Nathan, all while Nathan watches over CCTV. However, there are occasional power surges that knock the cameras out, and during these times, Ava paints a very sinister picture of Nathan. Caleb is stuck not knowing who to believe, or how to act in the secluded compound where they are located.

The movie slowly creates tension throughout, and even the powerful climax feels subdued and quietly intense. What really sets this film apart is how it gets the viewer engaged. It asks questions about A.I., such as the responsibility in creating it, whether we even should just because we might have the ability, and our treatment of the creation after it is done, all questions that we as a society will be asking ourselves before long. A minor warning for those with kids that may be interested in the whole robot theme, it deserves its R rating for some pretty graphic nudity and some violence. I took my son, and since he is 18 and going to college, I’m sure he’s seen it all, but it made old Dad feel uncomfortable!

Sorry my blog posts have slowed. I’m still reading a lot more slowly lately, in fact been on An American Tragedy for a couple weeks and I’m nowhere close to finishing it. Just sort of doing other things right now. But I did get to the theaters over the weekend to see the new Avengers.

In this newest one, the Avengers team comes together to yet again stop a plot to destroy the world. Stark (Iron Man) creates Ultron, a robot that is supposed to protect humanity, but is instead fueled by anger and sets out to do the opposite. That’s pretty much the plot in a nutshell, it isn’t all that deep, and most of the film showcases the amazing battles that makes these films great. The one knock against it is by the end, it seems super heroes are coming out of the woodwork, in a X-Men Last Stand sort of way, which personally feels a little out of character for the series so far.

I have mixed feelings for this movie. The production is huge and well done, but it is starting to wear on me a little. It seems the team just keeps facing more and more dire circumstances, and honestly this film seemed to stray off what the Avengers movies do best. Some plot elements felt a little forced, and boy did they try hard to squeeze a tear out of you (to no avail)! Overall it is good, don’t get me wrong, but I liked the first Avengers better, and as the Marvel team is ramping up these films and releasing more and more, with closer dates to each other, they may have to do something to keep this series feeling fresh.

This is a hodge podge of movies, something for everyone in here!

Best of Me is the latest Nicholas Sparks book-turned-film. It is more of the same from Sparks, meaning if you love his films, you will love this one, and if not, it won’t sway you. Parts are good, if entirely expected, but overall it is just another tear-jerker. Dawson is a good kid from a bad upbringing. He falls in love with Amanda, but before they even have a chance, circumstances put Dawson in jail, where he tells Amanda not to wait for him. Flash forward 20 years, and they run into each other again. The back story is told in flashbacks so you get bits and pieces as you go. I thought the middle of the movie was the best, and the end was a whole lot of cheese. Not my cup of tea, but my wife would love it.

A Most Violent Year is a gripping crime drama, taking place in NY in the early 80’s. Abel Morales owns a fuel company, and is at a crucial moment in his company’s future. He has grown it from humble roots, and needs to buy a plant to expand it, or it will stagnate. Just as he is about to close the deal, his company comes under scrutiny by the government for tax evasion and under-reporting, while at the same time his fuel truck drivers are being ambushed and beaten, and the trucks stolen and fuel robbed. Throughout the film, he tries to do things on the up and up, not wanting to get aid from the mafia or make under-the-table deals, and while they are guilty of cooking the books, he doesn’t want to take drastic steps that will land him in trouble with the cops. His wife Anna on the other hand, seems to be more of the mind to do whatever is necessary for the company to grow. Multiple events come to a head at the end of the film. It isn’t a heavy action mob movie, but it is tense in a quiet sort of way, and at the end, you realize that Abel, like Anna, will do whatever it takes to get ahead.

I Origins is a fascinating movie. It starts out as science but turns into science fiction by the end, with a tremendous premise. Ian is a molecular biologist, trying to find the origin of the eye. If he can prove mutation in each stage of the eye, from the most basic eye in animals to the most complex in the human eye, he can discredit religion that believes in a God that designed us. He is aided by lab partner Karen. Ian’s course is almost thrown off when his love Sofi is killed, but with Karen’s help in the lab (and as a new love interest), he continues on and eventually their work proves successful. His own theory takes a hit though when their child is born. When they scan his baby’s eyes (a new iris scanning system going in to place around the world), they find an exact match for someone that had previously died. This is supposed to be impossible, as no two eyes are ever supposed to be alike. On a hunch, they scan Sofi’s eyes from a photo, and find a match for a child born after her death in India. Ian takes off to see if a higher power after all is running the show. This film is a bit slow at times, but for nerdy types like myself, the mix of true science and fun science fiction is a unique mix definitely worth watching.

Frank is an interesting film with a great cast. Jon is an aspiring musician who hooks up with a band needing a keyboardist. The band is made up of misfits who all seem to suffer from some sort of mental illness or another, and is headlined by Frank, who has been wearing a large paper mache mask for years, never taking it off. Very quickly the band ends up in a secluded cabin to record an album, making all kinds of weird noises for their style of “music.” Jon is inspired by Frank who can find music in anything, and he longs for some personal anguish or trauma that he thinks will give him a foundation for the creativity inside him. When success starts to find the band, they begin to fall apart. This movie has a much deeper meaning that you think from the outset. While funny and quirky in the beginning, it loses all of its laughs about 2/3’rds through, and gets really dark by the end, which can turn some viewers off. I thought it was great through.

Tracks is the based-on-a-true-story hike of Robyn Davidson, who set off from Alice Springs, Australia to walk 1700 miles through the Australian outback and deserts to the Indian Ocean in the mid-1970s. No offense to Cheryl Strayed, but this was the wild before Wild. Robyn spent days and weeks without seeing a single person during legs of the trip, across harsh, rocky, and finally sandy dunes, desert terrain. She is photographed along the way by Rick, for a story for the National Geographic, who drives ahead to meet her at times and resupply her with water. In the film, she is making the trip to move forward past demons, of her mother hanging herself, which prompted her to be sent off to grow up among distant relatives and finally boarding school. I think as a film, Wild is better, but you certainly get more of a sense of loneliness and near-hopelessness in Tracks.

Death Comes for the Archbishop was released in 1927, written by Willa Cather. It tells the story of Father Latour, a missionary who is made a bishop and sent to the newly USA-acquired New Mexico Territory to set up a diocese. He must balance the local Mexican and Indian (primarily Navajo and Hopi) groups, which seem open to God’s word (the Mexican population especially, having passed down Catholic traditions from a couple generations back, from the original Spanish explorers), while facing some opposition from protestant Americans who are increasingly moving to the new territory. He also must fight the entrenched clergy all ready there, who care more for personal gain than the spread of the church. Latour is aided by his longtime friend, Father Vaillant.

The book is spread out over many years, many of which are rushed by in the blink of an eye, while some events are closely examined. Latour makes it his goal to build a true cathedral in Santa Fe, while Vaillant is more for the people, spending most of his time riding out in the surrounding lands to spread God’s word. Vaillant being out so much leads Latour to become very lonely and somewhat more seclusive than he all ready is. Vaillant dies first, and because he has walked so far and made so many friends, his funeral is attended by hundreds, coming from all corners of the territory. Finally as an old man, Latour dies as well. He had a choice to spend his last days in his home in France, but chose to stay in his new country. His funeral is less attended than Vaillant’s, but he is laid out in the cathedral that he was finally able to build.

This book reads almost like a biography, rather than a novel, and is (probably loosely) based on the life of Jean-Baptiste Lamy. There isn’t an over-arching story tying it all together, other than just Latour trying to build a solid foundation for the church in the west. For history buffs, it is an entertaining read, it shows a pretty crisp picture of the daily struggle just to get by when there is nothing around you. It is also a fascinating look at the local groups that inhabited that area, and how they had to weigh this new God with their longtime traditions. It is a shorter book and a quick, very nice read.

A few children’s books are on my list of 100 greatest 20th century novels, and this was the first I’ve read. A Wind in the Willows tells a couple years of some friendly animals living their lives. In the beginning, Mole feels some wanderlust and leaves his little corner of the world for an adventure, and ends up at The River, and meets Rat. Rat introduces him to Toad, Otter, and Badger, all with their unique personalities. There are adventures along the way, for instance the time Toad steals a car and gets thrown in jail. Each character shows different traits to the reader and others, and individually (and as a group) they exhibit all the human emotions that plague us.

This is a well written book, and reading it is a stark reminder of how childrens books have changed since it was published in 1908. Very young children will laugh at the antics of Toad, while slightly older kids will get more meaning from Badger and his practical approach to friends and life, but in both cases, the book isn’t dumbed down. It challenges kids to think a little more than they typically will in today’s force-fed picture books. My parents always read to my brother and me when we were little, and reading this was like stepping back in time.

Some more independent films, with some recognizable faces. I’m a big Game of Thrones fan, and if you watch that show, you know the sizable cast. Seems like I see someone from that show in practically every film I watch lately.

Force Majeure is a foreign film, so you’ve got to be ready for some subtitles, but it is a good one. It is about a family on a skiing vacation in the alps. When a controlled avalanche gets a little too close for comfort, it has a lasting affect on the family. The wife’s instinct is to grab their kids and pull them close, while the husband bolts off to save himself. Of course the avalanche was controlled so it never reaches them, but the wife is shaken up and can’t forgive her husband for leaving, while he refuses to admit he was running, only that he “saw the situation differently.” The rest of the film is her badgering him to admit it, and he trying to pretend it didn’t happen. When he finally breaks down, it seems he isn’t the man she thought in more ways than one. I didn’t recognize the leads, but friend Mats is played by Kristofer Hivju, Giantsbane from Game of Thrones.

Lilting is one of the most beautiful films I’ve seen in a little while. In it, Junn is an aging Chinese mother, recently put in a care facility by her son Kai because she is showing early signs of dementia. Despite living in the USA for nearly 30 years, she has never learned the language and so feels very isolated. At the start of the film, Kai has just died suddenly, having never told Junn he was gay. Now Kai’s longtime boyfriend Richard is left trying to take care of Junn. He misses Kai very much but can’t spill Kai’s lifestyle so soon, so he has to internalize his grief as he tries to help Junn feel more comfortable in her home. Everyone’s guilt creates a large white elephant in the room that the characters dance around for most of the film. Beautifully acted and very endearing. Richard is played by Ben Whishaw, Q from the newest Bond films.

Copenhagen is a bit hard to watch at times. Main character William is a real asshole, sleeping with anyone (even hitting on his best friend’s fiancee), and has a real “don’t care about anyone” attitude. His father walked out when he was a boy, and now as an adult he is in Copenhagen hunting down his grandfather, to try to find some backstory of what made his father who he was. He is offered help by Effy, a local girl there who he finds, after he all ready flirted with her, is only 14 years old. The movie gives a real creeper vibe after that, and you keep waiting for this guy who has no morals to sleep with the 14 year old. By the end he surprises everyone and turns into a half way decent guy. Another low budget, but well written and well acted film. William is portrayed by Gethin Anthony, Renly Baratheon from Game of Thrones.

Something, Anything is a much more subtle film. Mark and Peggy are two 30-something professionals that have put their careers first, so they are meeting and getting married a little later. Very quickly he proposes, they get married, and are expecting a child. Almost as fast, she loses the baby in a miscarriage, moves in with her parents, and then gets her own apartment. This all happens in the first 20 minutes of the film. The rest of the movie is her spiritual awakening. Peggy is lost, and not sure what to do with her life now that it has been turned upside down. She quits her successful job and takes an hourly wage position at the library, sells or donates most of her worldly possessions, and starts hunting an old high school friend who became a monk. This is a heartfelt film, clearly showing the difficulty of moving on, and how everyone mends in their own way.

Fort Bliss is about the struggles facing our women soldiers. Maggie Swan is just returning home after 15 months in Afghanistan, to a now ex-husband and a 3 year old son that doesn’t remember her. She can’t find any normalcy, and is haunted by events during her tours, told in flashbacks. At first you aren’t sure if she will pick her family or her country as her priority, but eventually her decision is sort of made for her. The movie is good, though a little paint-by-numbers, and tries a little too hard to pull at the heart strings.