Central Intelligence isn’t as funny as it wants to be. It is amusing, but that is about the most of it. Unfortunately the plot is paper thin, so the film relies entirely on the comedy of Kevin Hart and Dwayne Johnson. As entertaining as the two are, and more so together, they can’t cover all the holes. Hart plays a high school superstar turns boring adult accountant, and the Rock, while an overweight target for bullies in high school, is now a jacked up CIA agent. The two team up to save the world and reform their images in the process. Plenty of laughs during the film, but nothing memorable afterwards.

Sausage Party is entirely offensive, should not be watched by anyone with traditional morals, but man is it a hoot. A cartoon where the food talk and act like people (vulgar people, but people), and they dream of getting “chosen” by the “gods” at the supermarket and taken to the “great beyond”. Their world is shattered when they find out what people do to the food once they leave the store. Forget inuendo, the food flat out say plenty of crass stuff (the main character is a sausage, and he can’t wait to get inside a bun, wink wink). But there are deeper meanings too, such as the foods have vastly different views of the world and others according to what kind of food they are. You can watch the movie for the laughs, or analyze it for the political and socio-economic ideas, but in either case it is worthwhile for the folks that can handle more than a little vulgarity.

Imperium is a solid modern drama/thriller. Daniel Radcliffe plays a FBI agent who works at a desk but dreams of going into the field. He gets his chance to chase down a group of home-grown terrorists, mostly white supremacist groups, to stop a plotted terror attack. He goes in deep, mixing with neo-nazi’s and the KKK to try to stop the big plot before it goes down. An engaging and eye-opening film. With today’s political leaders so worried about people from overseas, it is a real reminder there are plenty of people that want to do us harm right here at home.

Indignation is a quieter film, but no less riveting. Logan Lerman, as Marcus, is a young Jewish student with working class parents. His schoolmates are being killed in the Korean War, but he is protected from the draft as he will be attending college in the fall, the first of his family to do so. Raised strictly in the religion, Marcus is an intelligent, rational being, questioning everything and never taking any lesson without analyzing it. In college he is confronted with many ideas he hasn’t seen before, including a mentally unstable girl with very different morals. It isn’t long before Marcus’s ideas and mouth get him into trouble. Very fine acting in this one, well worthy of an afternoon for serious movie lovers.

Anthropoid is a classic war/spy film. Based on the true story of a team of Czechoslovakian exiled army members, it is their story of re-entering their country with the mission to assassinate Reinhard Heydrich, who ends up being the highest ranking Nazi officer to be assassinated during World War II (hope I’m not giving anything away there). I’m sure the movie embellishes a bit, but it is attention-arresting from the moment the men parachute into the country. Good acting featuring Cillian Murphy and Jamie Dornan, but it is a war movie first and foremost.

Every time I sit down to watch the latest Woody Allen film, I think, “This is the one. This time I’ll see why his films have such a following.” After Cafe Society, I’m still going to be searching. Like almost all of his films, this one too has a very “paint by numbers” kind of feel. The characters are introduced, the plot develops in a straight-forward way that foreshadows the ending before it arrives, and the movie ends with someone staring off in the distance pondering some event. This latest stars Jesse Eisenberg, Kristen Stewart, and Steve Carell, all great actors, but unfortunately their parts here are all one dimensional and tired. Allen has pumped out a film almost every year for most of his career, unfortunately the highlights seem to be well in the rearview mirror.

I enjoyed Swiss Army man until the very end. It is a funny off-beat film about Hank (Paul Dano) who is stranded on a beach and ready to end his life. A dead body washes up on shore, who Hank names Manny (Daniel Radcliffe), and the two become morbid companions. Hank decides to try to get back to civilization, and drags Manny along for the ride. Along the way, Hank finds all sorts of purposes for Manny’s body, and Manny ends up getting Hank to look inside for what led him to this place in life. A funny and endearing film.

I picked up The Shallows from redbox on a whim, and wasn’t expecting much. I remember seeing the trailer at the movies awhile back and laughing at the absurdity of it. However, this is proof that you can find entertainment sometimes in the unlikeliest of places. Perhaps because I had stayed up all night dishearteningly watching the election results and anything would have kept my interest at this point, but I actually really enjoyed this movie. Doesn’t hurt that it stars Blake Lively either. She plays a woman stranded on a rocky outcropping near a Mexican beach, while the world’s craftiest shark prowls the waters. No great storytelling here, but it is an intense film and will keep your attention.

The Infiltrator is a pretty good film, based on a true story. It stars Bryan Cranston as a Bob, a US Customs special agent who goes undercover. He starts out just trying to take down a drug lord during the whole 80’s “war on drugs” campaign, but it gets more involved when he uncovers a huge money laundering scheme, and even a plot to take over ownership of a bank in the USA. When people start dying, he has to decide to stay the course or get out while he can. A good film that shows off Cranston’s indelible skills.

John Carney’s Once was a cute film, but the story got a little stale by Begin Again, and is now downright moldy in Sing Street. I’ll give it the benefit of the doubt and admit that I did not finish the movie, in fact barely got halfway through, but it just seemed like more of the same: a down-and-out main character finds hope in music and is able to piece his (or her) life back together by the end. Carney’s one trick pony needs to find a new pasture.

Man am I a sucker for the Marvel franchise these days. I’m all in with their movies, television, and Netflix shows, even though I’ve never read a comic in my life. Doctor Strange continues Marvel’s string of successes when it comes to their MCU timeline.

This one tells the origin story of Dr Strange, as played by the heralded, though maybe not mainstream, actor Benedict Cumberbatch. He is a brilliant medical sugeon and researcher, looking to find cures to nerve damage cases specifically. His career is thrown off course though when he wrecks his car and destroys his hands, with the resulting nerve damage ending his medical practice. Reluctantly and with a lot of skepticism, he turns to eastern philosophies looking for a fix, where he begins learning about sorcery and becomes the newest Marvel superhero to try to save the world.

The film has some brilliant special effects, which is hard to pull off in today’s heavy and long-time computer enhanced environment. It is a visually stunning film, with a great story, fantastic acting, which all combines to a tremendously fun movie. The plot isn’t easily accessible outside of a sci-fi following, and I’m pretty sure my wife wouldn’t enjoy this one at all, but I definitely did.

I found the first half of this movie much more believable, and entertaining, than the second half. In Money Monster, George Clooney’s character Lee is the host of a slightly zany financial tv show (think Jim Cramer’s Mad Money), with show producer being Patty as played by Julia Roberts. The show is held hostage on live tv when Kyle comes in with a gun and bomb vest, demanding answers for why Lee’s supposedly safe stock bet crashed, wiping out Kyle’s savings. Plausible, if a bit out there. The movie takes a twist in the last act though that definitely leaves reality behind. It is saved somewhat by the solid acting of Clooney & Roberts, and Jack O’Connell as Kyle. It is a new take on a tense hostage film, and worth at least a single viewing.

Popstar is hilarious. No two ways to say it. Andy Samberg and his friends in The Lonely Island put this movie together, produced by Judd Apatow. It is sort of a mockumentary about a rap group trio (sort of a cross between Beastie Boys and a boy band) who split up when one of them embarks on a solo career. There is a plot here showing their split in the past and how they come back together, but the film is really here just to make you laugh. There are plenty of laugh-out-loud moments from start to finish, especially for those fans of Samberg’s, with an endless supply of cameos from the movie and music scene. This one will not disappoint.

Nice Guys is a throwback buddy cop-style movie, with private investigators instead of cops. Set in the 70’s, Russell Crowe and Ryan Gosling are brought together to get to the bottom of a missing girl and dead porn actress. Crowe is the tough guy with the determined attitude, whereas Gosling bumbles his way through, often getting results by accident. The case gets a lot deeper than they expected before it is all over. The darker moments almost have a film noir kind of feel, and the whole is certainly entertaining. It’s a solid action film with strong laughs too.

Our Kind of Traitor is an spy/action/thriller movie, light on the action but heavy on the spy and thriller. Ewan McGregor’s character Perry is on vacation with his wife in Morocco when he is pulled in to an international tug-of-war. Dima, a member of the Russian mafia, is there in Morocco as well, and recruits Perry to hand over information on his behalf to the English secret service. Perry agrees only because Dima insists his (Dima’s) life and his family’s lives are in danger otherwise. This film is cleverly written and has strong performances from McGregor, Stellan Skarsgard as Dima, and Homeland’s Damian Lewis as Hector, the MI-6 operative. The film is based on one of John le Carré’s novels, who has seen many of his books become successful and/or acclaimed spy movies.

The Ghostbusters remake would be a lot better if it had a different title, meaning it is actually OK despite the lukewarm reviews and awful box office showing, but it was never going to live up to the greatness of the original film. As you know by now this is a reboot featuring a female cast now. Directed by Paul Feig, this movie is much like his other films, where the comedy is a little on the silly side. While the laughs mostly hit, it just can’t catch the original movie. The original Ghostbusters was funny for sure, but was also tense, thrilling, and had heart too. The newest film is a straight up comedy, lacking in all of those more serious aspects. At times it almost felt cartoonish. Still, a decent film, and I’m sure those that never saw the first would enjoy it more.

I enjoyed this E.M. Forster book more than the last. A Passage to India is engaging and thoughtful, even though it became a slightly different novel in the end than what I was expecting. Taking place during the British Raj in southern India, it is about the preconceived ideas England has of the Indian people, and likewise the notions India has for the English.

Aziz is a local doctor, popular among his people and good at his practice, but always kept at arms length by the “superior” English residents, even though he is a better doctor than their own. He runs into Mrs Moore, who is visiting her son Ronny, the local magistrate. Like most English, Ronny despises the Indians and thinks they are all crafty and trying to pull one over on everyone else. Mrs Moore doesn’t like India much either and can’t wait to get back to England, but she made the visit with Adela Quested, in hopes that Adela would marry Ronny. Aziz hits it off with Mrs Moore, and later Adela too, and promises to show them the real India that they can’t see when surrounded by the English. Aziz also soon befriends Mr Fielding, a professor at the local university who is the rare Englishmen who likes India and its people.

Aziz leads the ladies on a tour of the local caves, where Adela has a panic attack and claims to all that she was molested. Aziz, though innocent, is arrested and charged, and all of the underlying racial tensions in the area are brought to the forefront. Aziz hopes to use Mrs Moore as a character witness in his favor, but showing her true colors, she heads back to England, only to die in transit. At the trial, Adela admits she had startled in the cave and made the whole thing up, and Aziz is acquitted. He threatens to sue Adela for defamation, but Fielding convinces him not to. Both Adela and Fielding then take off back to England, and Aziz convinces himself that Fielding only held back Aziz so that he (Fielding) could still marry Adela for her money.

A few years go by. Aziz has washed his hands of the whole situation and moved to a new town. Fielding and his wife come to visit, and Aziz finds that Fielding did not marry Adela after all, but instead one of Ronny’s sisters. By the end, Aziz and Fielding laugh it off, and admit that they could be great friends, if only Britain did not govern India. They realize the racial strains on them will always cloud their thoughts of each other.

Published nearly 20 years after Where Angels Fear to Tread, you can see the changes in writing and style in A Passage to India. The former, while still well written, is choppy in spots, and Passage is much more descriptive and charming. Both took slightly different courses than I was expecting as the reader, which isn’t necessarily a bad thing, as both came off well in the end. The ultimate question of this novel, can two people of different backgrounds ever set aside stereotypical thoughts and become true friends, does get answered by the author, though I would hope we have come a’ways since 1924.

Edith Wharton’s Ethan Frome is a very short, very quick read, but an enjoyable one. It starts in the first person, with a person coming to the small town of Starkfield on business. He notices a local named Ethan Frome, who limps around and keeps to himself, but whom no one in town wants to talk about. The majority of the story is then told in a flashback, going back 20 something years to when Ethan was a young man.

Ethan runs the local wood mill, but struggles to make ends meat. His wife Zeena is always sick, and spends a lot of money on the latest cures to heal her latest, curious ailments. Her cousin Mattie lives with them to help take care of the house. Zeena is a bit of a nag, as she thinks Ethan doesn’t do enough to help her and she belittles the work he does. Ethan, tired of her constant stinging, sees Mattie’s bubbly personality as a welcome change. The two lead a subtly flirtacious life, until Zeena gets wind of it and tells Mattie she must leave. Broken up, Ethan is driving Mattie to the train station when they finally openly admit their feelings for each other. They try to prolong their time together by sledding down a hill, and Mattie says if they cannot live apart, then they should not live, and Ethan agrees and aims his sled for a large tree.

The final epilogue goes back to present day, back to first person by the newcomer. He is visiting Ethan’s home (the limp was a result of the accident). He hears a nagging in the next room and we think it must be Zeena still, but we quickly learn that it is Mattie. She was paralyzed in the crash, and has been stuck with Ethan and Zeena all these years, growing bitter over that time. Due to his limp hurting his business, Ethan is even poorer now than he was, and Zeena has found the strength to take care of everyone.

A tragic novel (actually more of a long short story at about 100 pages). Iis easy to get swept up in Ethan’s plight in the past, and feel sorry for how his life has turned out, though obviously at his own fault. Wharton’s style is simple in its own way, yet very detailed and easy to read. A nice little book.

I enjoyed A Good Man Is Hard to Find by Flannery O’Connor, for several reasons. It is a book of short stories, and being published in 1955, is a little “newer” than what I’ve been reading lately, and a little more accessible. Having said that, all of the stories inside hold deep meanings that can be missed if you blow through the novel quickly.

The book contains 10 relatively short stories, the first being the title of the novel. They deal a lot with morality, religion, and human nature (O’Connor was a devout Catholic). A common thread seen in several stories is a good samaritan betrayed by an evil person with ill intentions, however even here, we sometimes get the idea the samaritan isn’t as good as advertised.

The only part that really bothered me is O’Connor’s writing is pretty heavily racist. It is easy to see why, as she was raised in the deep south in the early 20th century, but it is hard to read some passages. Lots of “n” words thrown around in conversations, but it does show a glimpse of that time in that place. If you can look past that, and I know not everyone can or would want to, it is a well written novel with plenty to keep you pondering after you finish it.

Tender is the Night is the third book I’ve read by F Scott Fitzgerald, and probably one of his most well regarded outside of Gatsby. I recently watched a film titled Genius about the life of Thomas Wolfe, in which Wolfe says at one point that Scott’s writing is “safe” and doesn’t challenge the reader. That may be true, but Night is still brilliant.

Written at a time with Scott himself was struggling with alcoholism and also with his ailing wife Zelda, this novel tells the story of the Diver family. Dick Diver is a renowned psychologist who has married one of his patients, Nicole. Nicole comes from a wealthy family and Dick struggles with trying to provide for her in the way she is accustomed, without using her money. They are happy for the most part until Dick has an affair (first emotional, years later physical) with a young American actress named Rosemary. Throughout the course of the book, the reader tends to like Dick despite his shortcomings. Like Rosemary, we see him as a dashing young man, popular with everyone. However, I start to realize that of course his relationship with Nicole isn’t as healthy as it should be, as she adores him as her savior and can find no fault in him. We forgive him a lot, until it gets to a point that we realize he has been fooling us, along with everyone else around him. By the end of the book he is a drunk, no longer treats his wife well, and has become an outcast in society due to his rude behavior. Nicole, no longer a victim of her mental health problematic past, leaves him abruptly. When it happens, Dick isn’t even surprised.

This was the last novel Fitzgerald finished in his life, and it was obviously heavily influenced by his struggles in the late 20’s and early 30’s (the book was published in 1934). In 1930 and again in 1932 his wife spent time in a psychiatric ward, and perhaps by writing that Nicole survived the system and later thrived, Scott was hoping for the best for his own wife. A beautifully written novel from start to finish.

I greatly enjoyed Genius. Maybe perhaps because I am prone to heartfelt dramas, maybe because I am currently reading many of the authors shown in this film, but whatever the reason, I thought this movie was great. Mostly about the career of Thomas Wolfe, portrayed by Jude Law, it is about Wolfe’s publishing of his first two novels under the editing eye of Max Perkins, played by Colin Firth. Wolfe is one of the great American writers of the early 20th century, though these days, he is often an afterthought compared to his contemporaries of the time (particularly Faulkner, Hemingway, and Fitzgerald, I’m currently reading Tender is the Night…). I thought Look Homeward Angel was a fantastic read (my review is tucked away on this site somewhere), so I was intrigued by the idea of this movie. The film looks at Wolfe’s life and his live-for-the-moment attitude. He butts heads with Perkins who knows he needs to edit down his enormous manuscripts into something that can be published, and Wolfe’s brash manner rubs Fitgerald the wrong way too. In the end, Genius applies to both Wolfe’s prose and Perkins’ careful hand. A very well written film.

Now You See Me 2 is a movie about magic, yet lacking the magic of a good film. I am one of the few that really enjoyed the first one. It had great surprises and twists and a thrilling tale. This one just felt like lame parlor tricks. The twists are expected and even when they come, do not reach the heights of the first movie. Really do not waste your time with this one, the man is better left behind the curtain.

Equals is one of those films I knew I was going to like, I just have a soft spot for dystopian and/or post-apocalyptic films, and this is the former. I had to chuckle however that the premise is a society where people show no emotions and the lead actress is Kristen Stewart (tee-hee). Main characther Silas (Nicholas Hoult) goes about his life in a world where emotions have been eradicated. When emotions do pop up in an individual, they seek medical help, and if no help can be given, that person is removed from society. Silas starts to feel emotions and sees Stewart’s Nia also struggling. The two are drawn towards each other even though “coupling” is illegal. It’s a slow film, but I think it is so on purpose. Not a deep film and feels a bit like a teenage drama in the end, but I did enjoy it.

Keanu is a pretty funny movie with a fairly absurd idea. Starring the comedy duo of Key and Peele, they play cousins with fairly normal, boring lives. Peele finds a stray kitten (Keanu) and grows very attached, but they don’t know that the cat is also loved by a pair of gangsters that has recently killed a bunch of rival drug dealers. When the cat goes missing, the cousins enter the seedy underworld to get it back. Key and Peele are always hilarious and they deliver here. No deep thinking here, but you’ll find plenty of laughs.

I’ve only seen a few movies with Greta Gerwig, but she always seems to play some version of the same person. Same dialogue, same delivery of the dialogue, and same half-whiny voice. More of the same in Maggie’s Plan, where she plays a woman who loves to have a plan for everything. She wants a child more than anything, and when she steals Ethan Hawke from his marriage to another woman, she realizes she wanted his child more than him. She must then concoct a plan to get him back to his original wife. The film makes far too many leaps to be plausible even by romantic-comedy standards, and is quirky without the quirky-style laughs.