A great yarn in the Budapest Hotel

Wes Anderson has an extremely unique style. You can tell one of his films from just a couple minutes of viewing. His style has fans and critics. Personally I don’t feel one way or the other towards it. Some of his films I like (Royal Tenenbaums), some I don’t (Moonrise Kingdom). In my opinion though, The Grand Budapest Hotel may be his best.

I will say if you don’t like Wes Anderson, this movie won’t change your mind. It is full of his unique narrative style, clever, quirky dialogue and scenes, bright contrasting colors, and his artistic camera work. The story and character development are what I love about this film. Though Moonrise Kingdom may be his most commercially successful film, I feel it lacked the shading and color he usually gives his protagonists. Budapest does not, and the characters are brought to life with a rich and detailed direction. There was also a mystery element to the film which keeps the viewer riveted. When tragedy does come (and in Anderson’s style, it is quick and almost glossed over), you really feel for the characters. Though it is strange and implausible, it is a lot of fun. This is a great film that you’ll continue to think about when it is over.

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